The description of Mrs. Mary McCray as an adult in Montclair, New Jersey and her struggles for "full freedom" are truly inspiring. I felt as if I was sitting in that kitchen listening to the anecdotes as they were told. I found the early part of the book, however, to read like a research paper with the footnotes included.

It seems to me that this book, along with Edward Ball's Slaves in the Family, offers a new and important look at the history of race relations in America. Both of them deal with situations that were not unique, but carefully swept under the rug. I applaud both authors for their work, and since Mrs. McCray has said she's writing another book, there is at least one reader, here in the nation's oldest city, who is anxiously awaiting it.

Ms McCray's ability to put us back in time is timeless, a true depiction of how life was and is for so many African Americans...Her ability to convey the innocence of childhood and reality through the eyes of her mother and through her own experience is something extrodinary. A warm and compassionate story of love, triumph, and struggle through one of the darkest times in American history. Written very tenderly so you can smell the warm pies and cakes baked in the Allen home, the flowers that she nurtured. Her legacy? Her children who were reared with self respect and taught to be proud of who they are as a people. Freedoms Child is a must read for all, black or white, it will grip you leaving you laughing, crying and ulitmately wishing we could have been there. A story of a mother and the love she gave her children. A story of a woman in the "Red Hat" who would not lie down. A story of coming of age. A story that every American should read. When you finish this book you will just sit back and smile! I know because Carrie Allen McCray is my Grandmother!! Lane McCray

I was shocked at the innocent lack of knowledge about her own body. Then to learn of such mutilation in such a way brought tears to my eyes.

Our sex education system in this country may be too forthright in some things, but perhaps it is better then no knowledge at all.

For the most part, Mr. Rice writes a compelling story about a very different culture. I found it difficult to lay the book down.

No one has ever captured my curiosity and blessed the effort to satisfy it as Paul did in THE ORPHAN. I went on a great journey with the character in this book, and explored the emotional havock that presented itself with depth and understanding. This book offers new insight regarding the words "normal" and "successful". Paul captured the beauty of Creation and the pain of innocence with expertise.

I appreciate the fact that he brings to light one of the many african tragedies in a simple honest way. He is an excellent poet with a lot of sweetness in the words of his poetry, and he has decided to write this book more like a newspaper redactor, in an editorial way. I think that is appropiate. Like many other countries, the drama is amplified by the communist times and the dictatorship.The part in the book, where he describes Ethiopia, makes the reader to wish he could travel to that country. The poem at the end of the book is beautiful, of excellent quality, which does a lot of sevice to the country.

This book is a great introduction to how the Natural Law fits into Catholic philosophy.

The book is very well organized, with each question being independent of the other as much as possible without sacrificing relevance. The writing style is very good, the chronological orders of the questions are great, and the questions are common. Overall the book was great reading and the answers were good. I especially enjoyed Prof. Rice's talks about how the Catholic Church views man (as a relational creature), views the family in relation to the state, and her sexual ethics.

With all that said, there are some negatives that bring the book down from five stars to 3.5 stars. One negative being that this book was made more for the already Catholic who would like to know how the Natural Law fits into Catholic theology. It is much less a defense and understanding of the Natural law than it is an understanding of how the Natural law fits into Catholic philosophy, and certain Catholic teachings with regard to the natural law. When I received the book, I was looking more for a general understanding of the Natural Law, with emphasis on different schools of thought on the subject, and where they differ. I was also looking for systematic ways of applying the Natural Law in our everyday life. This was not given in much detail at all. The author relied too heavily on what the Catholic Church already teaches on certain topics, than on how I can arrive to that conclusion on my own reason. I would like to have seen the emphasis reversed. Because of the books strong reliance on Catholic teachings and presuppositions, anyone who is investigating the Natural Law as an alternative to the liberalism of today, and who doesn't have an already preconceived respect for the Catholic Church will not have a lot to gain from this book.

Another, and more important, negative is some sections are only introductory answers to very complex issues. Sometimes I would have liked the author to give other areas less attention and maybe concentrate more on more prevalent areas, especially areas where there is much more confusion and the Catholic Churches reasoning so strong. Areas like Contraception, Abortion, and even surrogate motherhood could have received more attention. Or at least recommended great books to read more on the subject. Authors like, Janet Smith, Peter Kreeft, and Fracis Beckwith each provide outstanding additions, and much more depth to many of the topics covered in this book. Yet Charles Rice does not recommend any of them. Now I can understand his desire to keep the answers general and succinct. I realize there are far too many important topics in this book to give each answer its due time. I just often wonder if a little more space for certain loaded questions would have been better.

I would just like to end with, if you are expecting how I characterized the book on my first comment, than this book is right for you. I couldn't recommend it more.

This is by far the best books I've ever read on the subject of the natural law. The Q&A format is very well suited to the subject and he asks all of the right questions to the point that you can anticipate them -- it really flows smoothly. I highly recommend the book for religious-minded law students who want an alternative to the prevailing modern law theories where God is absent from the discourse. Charles Rice does a very thorough, scholarly job with this book. Highly recommended.

Charles E. Rice demonstrates his capability as a legal scholar in this great treatment of natural law. Not only is this book filled with great information on traditional natural law thinkers such as Aristotle and St. Thomas Aquinas, it is full of contemporary legal examples that concretize the discussion and bring natural law out of the abstract realm into our everyday lives.

This is as addictive as previous Tarzan's stories. In this one the archenemy of Tarzan finally gets his desserts. You have to read it!

I like tarzan books. This one was great as well. Tarzan finally got to see some of his enemies die, which was satisfying for me. Also, I enjoyed the "lord of nature" aspect of the book. Anyone that can control a pack of apes and a panther is pretty cool. After I read this book, I just wanted to fight another animal to the death. After I killed it, I would stand above it with the blood running down my throat and scream like tarzan does. I recommend this book for any father who is worried his son might grow up to be weak. Once again, great book.

Although this is not my favourite of the Tarzan books, it is definitely an excellent story. I just started to read about the adventures of Tarzan and can barely put the books down. Edgar Rice Burrougs is an amazing author. "The Beasts of Tarzan" is no exception.

After Jane and their son Jack are kidnapped, Tarzan has to return to the jungle. Once more he has to rely on his wits and his above-human strength and physique to survive in the jungle. Making several new friend (not all of them human) he has to track down Jane, his son and the men who captured them.

"The Beasts of Tarzan" is an excellent adventure story and well worth the read.

This book is undoubtedly a good reference, but you should not consider it a comprehensive one.

With a decidedly American slant, the book ignores the rich photography cultures of Japan, Russian constructivists and even of Europeans after 1945. Even on the topics which the book does cover, there are a few glaring ommissions. But I'm still glad to see this book come out and the author certainly makes no claims that the books list is a comprehensive one, just a seminal one.

This is an extraordinary book, both for its content and design. The book provides a wonderful view of 20th-century photography and photographic books, reproducing several double-page spreads (at reduced size) from a well-chosen list of 101 great photographic books. There is so much to see and think about here.

The catalog entries, luminously written by Vince Aletti and David Levi Strauss, provide a fairly detailed description, history, and analysis of each of the photographic books. And there are several essays on the history and techniques of photographic publishing; these essays are informative, smart, learned.

This is one of the best-designed books in recent years. The typography, layout, and printing quality are just perfect, at the very highest level of excellence. Andrew Roth and Jerry Kelly did the book design; Sue Medlicott supervised the printing which was done superbly at the Stamperia Valdonega.

In the last few months, I have seen 3 extraordinary visual books that powerfully demonstrate just how wonderful books can be:
(1)The Book of 101 Books by Andrew Roth and colleagues
(2)The Atlas of Oregon (2nd edition) by William Loy, Stuart Allen, Aileen R. Buckley, and James E.Meacham
(3)Artists' Books in the Modern Era 1870-2000: The Reva and David Logan Collection of Illustrated Books, by Robert Flynn Johnson and Donna Stein, Fine Arts Museums of San Francisco.

Now this is something special! As a publication designer I can appreciate the care and thought that went into this stunning and unique book. Andrew Roth, in the introduction, explains his brilliant idea, 'The basis for my selection was simple. Foremost, a book had to be a thoroughly considered production; the content, the mise-en-page, choice of paper stock, reproduction quality, text, typeface, binding, jacket design, scale - all of the elements had to blend together to fit naturally within the whole'. I would agree with all of that (I have eight of the 101) and also his selection of the photographic books which mostly exemplify what he was searching for.

Not all of these criteria apply to each book though. The author has wisely included all the covers to his selection and I don't think there is a single book jacket shown that I would class as excellence in design, that is, the title and image working together as one to sum up the contents for a potential purchaser. Mostly they are the usual publishers' marketing department output, a single photo or image with some (bland) typography added. Strangely the cover to 'The Book Of 101 Books' is rather dull and typographically conservative.

Another area where, I think, many of the books fall short of the author's criteria is the lack of captioning. Many of the reproduced spreads clearly just have the photos on the page with no information for the reader. Why do publishers (and possibly even the photographers) think that beautiful, imaginative and stimulating photos don't need some textual explanation on the same page? I recently bought 'Dream Street' by Eugene Smith, an excellent collection of photos taken in 1955 of life in Pittsburgh, virtually all of the photos make me ask "What's going on here" and I have to constantly turn to the back of the book to read a caption, even more annoying because there is plenty of space on each page for them. This lack of a caption on the same page as the photo seems a common fault with many photographic books.

The author says his goal was not to compile a selection of rare or precious books, just great ones and the 101 chosen reflect that vision, starting in 1907, with the twenty volume 'The North American Indian' and ending in 1996 with David LaChapelle's 'LaChapelle Land', these two books are a world apart but nevertheless have elements in common that the author was searching for. The other ninety-nine books show the amazing diversity that a photographer's eye, light and chemicals can do to the world. As well as the spreads from the books there are six essays dealing with photographic book publishing, all of them interesting and thought provoking, Richard Benson (no relation) writes a very succinct explanation of book printing techniques over the last hundred years.

Handling this sumptuous book, turning over the pages of the beautiful paper it is printed on, looking at the images (printed with a screen well over two hundred dots to the inch) it is a good example of why books will not vanish in this expanding digital age.

BTW, another reviewer has commented that 'The Book Of 101 Books' is one of the best designed books of recent years, beautiful as it is I don't think I would go that far and I'll not be adding it to my Listmania 'Ten of my favorite well-designed books'. Editorially I think there are a couple of errors, firstly, in the bibliographic details there is no mention of a books pagination, and secondly, all the text about a book is in one paragraph, clearly a mistake when some of the pieces are several hundred words long. I also think the layouts have an annoying fault, each of the 101 books starts on a spread and the left-hand page displays the books cover within a text wrap of two columns, this second column frequently looks a line short because the writer's initials are ranged right on the last line instead of occupying a new line or even hanging them in the margin, in bold face, for instance.

John Rice brings his own experience and personal knowledge of history, religion and the power of confession to life in this spell binding story of a young man possessed by his past.

Told only as a "preacher" could, this story comes alive with the sounds and smells of early Florida forests, moonshine and tent revivals.

A must for anyone who enjoys a really good story told by an expert.

This story of Ford Carwin's life is funny, sad, entertaining and believable. Mr. Rice's story captured my attention, and I couldn't wait to read the next page and the next. I enjoyed not only the focus of the story on a man's life, but also the history and geography of the times and places this story takes the reader to. I thoroughly enjoyed the story!

I thoroughly enjoyed this book. It is very provacative and I found it fascinating! A must read!

"The Master Mind of Mars" is book #6 of 11 John Carter adventures that Edgar Rice Burroughs gave to the world. It first appeared in the magazine "Amazing Stories Annual" in July 1927, and John Carter himself only puts in a cameo appearance near the book's end. Instead, our hero is another Earthman, Ulysses Paxton, who mysteriously gets transported to Barsoom (Mars) after being critically wounded on the battlefields of WW1. Paxton becomes an apprentice of the eponymous mastermind Ras Thavas, and from him learns all manner of surgical miracles, including brain transplantation. Paxton falls in love with a young woman, Valla Dia, whose body has been sold to an old empress, so that that empress can now live on in her new hotty body. Paxton vows to travel across Mars, kidnap the empress, and restore his beloved's body to her. He enlists the aid of some of Ras Thavas' medical subjects: a Barsoomian white ape with a half-human mind; a professional assassin; and another Martian who has had his body bought/stolen by another. This is a short but extremely entertaining and fast-moving fantasy novel. In it, Burroughs gives us some interesting philosophy on the correlation of mind and body (as he did with the kaldanes in "Chessmen of Mars"), as well as some interesting speculations on the necessity of war in any culture. He also pokes fun at the mumbo-jumbo aspects of organized religion. So there is some actual food for thought, in addition to the fun. And that equilibrimotor chase and scene in the Temple of Tur ARE very much fun! The heart, lung and other assorted transplants that Ras Thavas is engaged in must have seemed like real sci-fi improbabilities back in 1927, although these things are fairly commonplace today. The brain transplants are another matter, of course. (Perhaps one day...)
"Master Mind" seems to be slightly better written than some of the earlier Barsoomian novels; Burroughs DID improve with age, at least as far as technique is concerned. Still, there are the usual inconsistencies that crop up. For example, in one scene Thavas complains of the new young blood in his new young body, when it has been established that recipients of new bodies receive their old blood back. I was confused by this. In another scene, the 15-foot-tall ape/man puts on the leather harness of a regular-sized man. Does this seem possible? Clouds are said to obscure the moon in another scene, yet in earlier books, Burroughs has told us that clouds exist on Barsoom only at the poles. A body of a dozen Toonolian soldiers at one point mysteriously turns into 20, and the great scarlet tower of Lesser Helium, which was destroyed in "Chessmen," is inexplicably back again in this book. (I grant that it may have been rebuilt, but Burroughs might have said something to this effect.) The surprise regarding Valla Dia at the book's conclusion was one that was so obvious to me that I don't even think it was really meant to be a surprise after all. And here's another quibble: Paxton falls in love with Valla Dia only after he has seen what her actual body looks like. It might have been more effective had he fallen in love with her only AFTER she was trapped in the haggish body of the empress. A young, strapping American male falling in love with an old ugly woman, based solely on her gracious personality. Now THAT would have been a REAL fantasy!

Ulysses Paxton proves that John Carter is not as unique as the reader was led to believe. Mortally wounded on a World War I battlefield, Paxton is transported to Barsoom much like Carter was decades before. His sojourn on the red planet starts out more humbly, as Paxton fidns himself apprenticed to Ras Thavas, arguably the greatest scientist of the day.

ERB dons his lecturer persona once again as he unwinds an intriguing story about the perils of allowing science and political power to proceed in all directions unchecked. Knowledge gained irresponsibly leads to irresponsible actions. Paxton struggles to transport the moral lessons he has learned from the horrors of World War I to the almost savage and near-mercenary social hierarchy he finds himself trapped in on Barsoom.

The best elements of the story are undoubtedly the bizarre twists and turns which unsettle the hero and force him to fall back on his courage and ingenuity.

"The Master Mind of Mars" by ERB is a great book! ERB's Mars series takes second fiddle to his Tarzan books, but I respectfully argue they are superior. In "MMM", Ulysses Paxton, a critically wounded WWI soldier, is astral-projected (plot device to get things moving) to fabled Barsoom (Mars), dying planet of canals, hordes of 4-armed green warriors, scantily clad women, strong warriors wearing only their "sword and harness", and home of Ras Thavas, the Master Mind of Mars. It seems that Ras Thavas has an enormous talent - only he, among all the inhabitants of Barsoom, is able to perform the life-extending brain transplant. (Or maybe we should call it, ominously, the brain exchange. Too bad for the young body donor whose brain is unceremoniously evicted for the old, rich plutocrats...) However, now Ras Thavas is growing old and he needs his own brain transplanted. Who to train in the procedure? Why, none other than Ulysses Paxton (now called Vad Varo). But our hero turns out to have ethics and morals, and not only that, has fallen in love with a beautiful girl. Unfortunately, she is a body donor for a rich old hag. What happens next? Ulysses, the girl, and some sidekicks go off on a tour of Mars to reunite young girl brain with young girl body! On their Grand Tour of Barsoom, they come to various cities, each with different religious doctrine (I think ERB is indulging in a little gentle satire here). Take it as a given in pulp fiction that our heroes are successful and all ends well. Great enjoyable escapist reading. I found out later on as a veterinarian that it's a little tougher to do brain transplants than described in the book. (Maybe I just needed the super-healing elixir...)

I have been a devotee of Hugh Johnson's Pocket Encyclopedias since the 1980's, when I was first introduced to the concept of fine wine. This pocket guide, updated every year to include information on new vineyards and vintages, is a godsend. With so many wines produced today, I need a method to distinguish among the offerings, and this is it. From the cheapest to the most expensive wine, Johnson includes a vast list in a slim, portable volume.

Without snobbery, Johnson discusses grape varieties, food pairings, and the individual character of different wine regions, from France to California to Australia - even to South Africa. While the food recommendations are more guidance than rules, they still provide a solid base for the novice. Connoisseurs will head straight to the easy to read wine listings to discover the best vintages and the characters of individual labels, as well as Johnson's overall starred ratings.

The book is small enough to fit inside a purse or jacket pocket, perfect for taking to a restaurant or wine store. If you are serious about wine, you really do need to buy an updated edition every year. People who have only a casual interest might get away with one every other year.

I highly recommend this book for anyone who appreciates fine wine or who wants to learn more about it. You won't be disappointed.

Like finding the perfect anniversery gift or putting on your snow tires, buying this guide should be one of those things you do each and every year.

Why? Because it will pay for itself the very first trip you make with it to the liquor store. Think I'm exagerating? Then keep reading.

Hugh Johnson is the Roger Ebert of wines. In other words, he knows his subject thouroughly but without ever being snobby or pretentious. He knows you don't find the perfect wine -- whether for cheap pasta, or coq au vin, or to lay down for a decade -- by price. Trying to decide between the 80 buck Cabernet Sauvignon or the simply labelled "red table wine" at ten dollars -- and you've never tasted either? Hugh can tell you the better value. Not to mention which one is just plain better.

With that one purchase, you'll have more than paid for the book.

Hugh has a wonderful sense of humor, and takes great joy in his work -- and it shows.

There is an amazing lot of information in this book. It is very exhaustive and reliable, with a specific focus on Bordeaux wines. The information has proven to be very objective, as opposed to similar info from Parker that you have to decode before use. It also covers a broad range of qualities which is very helpful for the lower reputation areas.
I have been a regular user for ten years and continue buying it about once every three years.

"Synthetic Men of Mars" is the 9th of 11 books in Edgar Rice Burroughs' John Carter of Mars series. It first appeared serially in "Argosy Magazine" in early 1939, and is one of the most way-out entries in the Carter series. The book may be seen as a sequel of sorts to book #6, "The Master Mind of Mars," in that Ras Thavas, the eponymous superbrain of that earlier work, here makes a return, and the bulk of the action once again takes place in the dismal and forbidding Toonolian Marshes of Barsoom (Mars, to you and me). In "Synthetic Men," Carter and one of his lieutenants, Vor Daj, go in search of Ras Thavas, to enlist his aid when Carter's wife is critically injured in a midair collision. Thavas is engaged in creating an army of synthetic men (the so-called hormads), who have taken over an island in the Toonolian Marshes, made an unwilling slave of Ras Thavas himself, and are now plotting to take over all of Barsoom. Things get pretty wild when Vor Daj has his brain put into one of the hormad's bodies, so that he might better protect a pretty female prisoner who is being held on the island also. Then things go over the top completely, as one of the vats in which the hormads are created goes blooey, and a giant blob of living tissue spreads and spreads and threatens to envelop the entire planet! This blob is comprised of living heads and hands and other body parts; it feeds on itself and seemingly cannot be stopped. All this takes place in the first half of the novel; things get even hairier, if possible, in the final stages of the tale. Before all is said and done, we have been treated to a civil war amongst the hormads, an escape through the swamps of Toonol, encounters with giant insects and reptiles, a marsupial society, wild swamp savages, a Martian zoo, a tense little air battle, and the final confrontation with that living blob mass. It's as if Burroughs ate a headcheese and Fluffernutter sandwich before going to bed one night, had the wildest dream, and the next morning put it down on paper. The book has nice touches of incidental humor, and Vor Daj's predicament of being trapped in the body of a monstrous hormad while trying to win the affection of the girl of his dreams is an involving one. This leads to John Carter delivering one of his most touching lines: "It is the character that makes the man...not the clay which is its abode." So what we have here is a fantastic tale of wild imagination, with some touching passages and incessant action.
So why, then, have I only given this novel three stars? Well, as with most Carter novels, there are problems of inconsistency, and this novel contains one of the worst in the entire series. During the swamp escape, Vor Daj is accompanied by a party of five others, including a man named Gan Had, who later deserts him. Later in the book, it is stated that this deserter was named Pandar, one of the others of the five. The two characters are mixed up and confused by Burroughs for the remainder of the book, to the point that the reader doesn't know who Burroughs is talking about. This is a terrible and egregious error, I feel. I have discussed it with the founder of the ERB List, a really fine Burroughs Website, and he has told me that he and others have concocted some explanations for this seemingly incredible screwup, while admitting that the reader must read between the lines and do some mythmaking of his/her own to explain it. This giant problem aside, there is also the inconsistency of a character named Ur Raj, who is said to hail from the Barsoomian nation of Ptarth, and four pages later is said to be from the nation of Helium. This is the kind of sloppiness that I, as a copy editor, find especially deplorable. I also regret the fact that the ultimate fate of some of the book's main characters (Sytor, Gan Had and Ay-mad) is never mentioned. Another example of careless writing, I feel. "Synthetic Men of Mars" is a wonderful entertainment, but could have been made so much better by the exercise of just a little more care on the part of the author and his editors. Still, I quite enjoyed it, and do recommend it to any lover of fantastic literature.

A likeable, action-packed book--perhaps not as memorable as the author's Tarzan series, but admittedly, unquestionably =different=. That is to say, ERB's writing style isn't really different, and his pacing is typically breakneck, but it is a different topic, with some original ideas.

What's also fun, nearly 80 years later, is to read the thinly-disguised social commentary that ERB inserts into his work. One of the Tarzan books includes a section on a society destroyed by income tax--a new idea in ERB's time, and one that he personally was affected by. This book contains a short section on how streets should be engineered to speed traffic along. It isn't exactly a description of a freeway, but it's darned close!

Anyway, like all great pulp, a sense of adventure pervades and you're left both satisfied with the story and wanting more. They just don't write 'em like this anymore

The incomparable Dejah Thoris is injured and only the dangerous scientist Ras Thavas (The Master Mind of Mars) can save her life. So John Carter, the Warlord of Barsoom, sets out with a single companion, Vor Daj, to bring Thavas back from the Toonolian Marsh in time to operate on the dying princess.

Alas! Nothing goes right, and Carter and Daj are forced to make the most difficult choices of their lives. All Barsoom is threatened by Thavas' latest mad scheme, and it falls to Vor Daj to keep a lid on things until Carter can bring all his power to bear against the threat. In one of the best race-against-time stories ever written, the reader is forced to turn page after page to keep pace with all the setbacks, double-crosses, and unbelievable strokes of good fortune.

Along the way, the author pokes a little fun at a few long-cherished social conventions and hooty-tooty groups. But the most resounding comment of all is the statement that true friendship knows no boundaries, and that love is solidly based in friendship. This is simply a great and thoroughly enjoyable book to read.

I am afraid Norma Milanovich just doesn't cut it for me and , although I still found it interesting to read this book, I just dosen't feel that click inside that say TRUTH.
I think there is much better channelled information out there that I would rather read.

A personal contact/encounter experience with 2 beings calling themselves "Masters of Light" led me to seek out who they were, and they are the Arcturians, Masters of Light, Energy and Aura. I had NO idea this book was published so long ago, and many, many things written about them, coming from them, I can assure you, are true. I found myself, still, totally amazed to meet them, and am awed by the gentle, loving God-like presence and energy they emminate. The drawing in the book which shows their face, is a close resemblence, but misses the importance of the nose structure that radiates and glows while they are communicate. That is their facial focal point. I 100% believe in the descriptives of the rooms on their spacecraft. I am also very greatful for discovering this book, so I could learn more about who they are, and what their purpose is in aiding the planet, along with co-operation from the Galactic Federation, and the Brotherhood who is doing the work of Jesus in guiding the planet towards her ascension. You get a real feel for their loving energy and consistant message of helping humanity. I have found no other books that bring forth this feeling, than this wonderful book.

I went through a rough transition when I found out that God may be an ET ! I stood by my policy of keeping an open mind no matter how extreme it may appear to be. I have been doing a lot of reading on the different ET's who have been working with us. Just finished reading another book on the Arcturians. When I started to read this one to see how their stories compared, it took me completely by surprise. The other book pales in comparison with this one. It concurs with the material in that book, but has a lot more detail, and appears to be a lot more accurate. This book had such a strong impact on me that I could only handle small amounts at a time. There is a lot packed between the lines. The energies that pour out of it are very evident. This book will hold your attention all the way. You will realize that you are one of the most fortunate beings in this World to have the good fortune of reading this book. It will change your life. I especially enjoyed the detailed tour of their Spacecraft, and how they transmute the different energies. The Arcturians are one of the most advanced and benevolent group of beings watching and gently guiding us into the 5th dimension. It also provides you with some very powerful techniques for clearing your mind and developing your psychic abilities. You will appreciate the power, the protection and the gifts presented to you by the Arcturians. I would love to share this new discovery with others who may be interested in the Arcturians. Please feel free to e-mail me if you have any questions. Thanks !

bobmck@thegateway,.net